Accession #: 2017.004
Biographical Note:
Susan Martin Capehart (1842-1924) of Scotch Hall Plantation in Bertie County North Carolina was the spinster daughter of George Washington Capehart and his wife, also named Susan Martin Capehart. Her brother, George W. Capehart, Jr. married Elizabeth Hill Jacocks Capehart. Their daughter born in 1911 was named after his sister and his mother. The donor Susan Martin Capehart (1911 – 2008) married the Rev. John W. Hardy in 1936. They relocated to Beaufort, SC where he served as Rector of the St. Helena Episcopal Church from 1951 – 1973. Mrs. Hardy donated the volume she inherited from her ancestor to the Beaufort County Library.
Historical Note:
Music was particularly important to the people of mid-nineteenth century America. People united in song at religious services, public group meetings, political meetings, outdoor rallies, and in the privacy of their own front rooms. Singing schools and musical institutes operated in many parts of the United States in the years preceding the Civil War. Band concerts were well attended popular forms of entertainment in many communities on both sides of the Mason-Dixon line.
The ability to sing, to play an instrument, or paint were signs of an accomplished young woman. Sales of sheet music were immensely profitable for the many publishing houses, North and South. When war came, the soldiers and the ones they left behind at home had a shared musical foundation of sentimental songs, ballads, comic songs, operatic and patriotic tunes. All of these types of music are represented in the Capehart Collection. There is a mix of pieces played and sung before, during and after the Civil War both in the North and South such as I’ll Pray for Thee (Spargi D’Amaro) (1848); Come, Dearest, The Daylight is Gone (1853), Lorena (1857) and When This Cruel War is Over (1863).
When This Cruel War Is Over sold over a million copies during the war. The lyrics are the same words except that “blue” and “grey” in line six were made appropriate to the singer: A supporter of the Union forces would sing “Oh! how proud you stood before me In your suit of blue, When you vow’d to me and country Ever to be true.” A Confederate sympathizer would sing “In your suit of grey.” The sheet music in the Capehart of this title was published by Geo. Dunn in Richmond, VA and Julian A. Selby in Columbia, SC as is to be expected uses the color “grey” for the soldier’s uniform.
Dearest love, do you remember,
When we last did meet,
How you told me that you loved me,
Kneeling at my feet?
Oh! how proud you stood before me
In your suit of grey,
When you vow’d me to me and country
Ever to be true.
The soldier’s plight was represented in the South by the lyrics to Dear Mother I’ve Come Home to Die published during the Civil War years by the Richmond, Virginia publishing house of George Dunn and in Columbia, South Carolina by that of Julian A. Selby:
Dear Mother, I remember well
The parting kiss you gave to me,
When merry rang the village bell
My heart was full of joy and glee:
I did not dream that one short year
Would crush the hopes that soared so high!
Oh Mother, draw near to me;
Dear Mother, I’ve come home to die.
Call Sister — Brother — to my side,
And take your Soldier’s last good bye.
Oh Mother dear, draw near to me;
Dear Mother, I’ve come home to die.
Examples of a common practice of altering lyrics or adding verses to suit a person’s needs or situation are evident in the Capehart Collection. Both I’ve Been Roaming as sung at Jullien’s Concerts (no date) and Moonlight Dell as Sung by Adele Hosmer (1852) indicate that others might use different lyrics for a particular tune. Capehart changed the title of O Give Me a Home by the Sea published in 1853 to O Give Me a Home by the “Sound” and wrote the the text of Down in the Valley and the chorus to Sweet Evelina, dear Evelina on the verso.
The Confederacy needed some new songs to help create a sense of national identity and unity. The collection contains sheet music for Up with the Flag (1863) dedicated to the 4th North Carolina Troops of the compiler’s home state; the Gen’l Morgan’s Grand March written in honor of the officers and privates under his command (1864); the Never Surrender Quick Step composed and dedicated to the defenders at the siege of Vicksburg (1863); and No Surrender (1864) that shows Confederate soldiers in battle and Fort Sumter under attack on the sheet music’s cover. The lyrics are:
Ever constant, ever true
Let the word be, No Surrender;
Boldly dare and greatly do!
They shall bring us safely through. No Surrender! No Surrender!
And though fortune’s smiles be few, Hope is always springing new,
Still inspiring me and you
With a magic, No Surrender!
Scope and Content Note:
Sue M. Capehart (1842-1924) collected 57 titles of piano sheet music scores that were published between 1846 – 1868. 27 compositions have no printed publication date but appear from internal evidence to have been contemporaneous to those included with known publication dates. The internal arrangement of the sheet music appears to be random. Topics range from Confederate patriotic pieces to sentimental love songs to operatic arias and airs. Occasionally there are handwritten poems or lyrics on the verso of some of the musical compositions. Although most of the cover sheets are in grey scale, a few are quite finely lithographed. Examples include the Never Surrender Quick Step by Edward O. Eaton that has blue and red lithographed images of the Confederate Stainless Banner in use between May 1863 and March 1865; the green tones of The Birds Will Come Again [as ] sung by D. S. Wambold [1868]; and the cover of the Serio Comic Songs written composed and sung by William Lingard that precedes the sheet music for On the Beach at Long Branch.
Composers represented in Capehart’s collection include Vincenzo Bellini; Edward O. Eaton; Stephen C. Foster; E.A. Hosmer; the Honorable Mrs. Norton; J.R. Thomas; Henry Tucker; Guiseppe Verdi; and Henry Clay Work among others.
Lyricists represented include J. E. Carpenter; George Cooper; Charles Jefferys; Henry W. Longfellow; Samuel Lover; Florence Percy; Father Abram J. Ryan; Charles C. Sawyer; and Anna Zerr among others.
Music publishing houses represented are Blackmar & Brother of Augusta, GA; William C. Miller, R. D. Benteen, Henry McCaffrey, G. Willig, Jr., and Miller & Beacham of Baltimore, MD; Oliver Ditson, G.P. Reed, and E.H. Wade of Boston, MA; Root & Cady of Chicago, IL; W.C. Peters & Sons of Cincinnati, OH; Julian A. Selby of Columbia, SC; John C. Schreiner of Macon, GA; the Southern Musical Exchange of Lynchburg, VA; J.A. McClure of Nashville, TN; William A. Pond, S.T. Gordon, William Hall & Son, Horace Waters, G. Schirmer and C.H. Ditson of New York; G.E. Blake and Lee & Walker of Philadelphia, PA; George Dunn of Richmond, VA; and Balmer & Weber of St. Louis, MO.
An alphabetical listing of the volume contents by sheet music title along with specific details per sheet music item and links to durable free online collections of sheet music is available in the Research Room. Olivia Santos assisted in identifying online sources for the individual sheet music titles. All but four titles were found in durable online collections of sheet music. Those titles are: Alone! Alone! Ballad published by the William C. Miller Company of Baltimore, MD in 1866; Moonlight Dell as sung by Adele Hosmer, words by C. Chauncey Burr; music by Jacob C. Hosmer, published by H. Waters of New York in 1852; The Rose-Bush composed by Faustina Haase Hadges; words translated from the German by W. Caldwell, published by G. Schirmer of New York in 1859; and Say, Where Shall We Roam from Select Vocal Duetts by various authors; Lyrics by J.E. Carpenter; Music by Stephen Glover, published by W.C. Peters & Sons of Cincinnati, OH, no date. The list is accurate as of 23 January 2023.
Please note: Some of the musical pieces may contain offensive language or negative stereotypes. Such materials should be seen in the context of the time period and as a reflection of attitudes of the time. The items are part of the historical record, and do not represent the views of the Beaufort County Library.
Preservation Activities Performed:
In general the Confederate imprints such as those published by Selby, Dunn, Schreiner, and Blackmar are in poor or fair condition. All items have been gently brushed for loose debris and the volume boxed. The binding appears to date from the late 19th – early 20th century and is in poor repair. When time and labor permits, a more thorough evaluation should be done to plan for and make appropriate repairs.
To minimize handling of this fragile volume, we identified Capehart Collection sheet music titles appearing in durable online collections matching publisher, date, and musical score whenever possible. Charmaine Seabrook Concepcion, Olivia Santos and Grace Cordial conducted the research to compile the table. An alphabetical listing of the volume contents by sheet music title along with specific details per sheet music item and links to durable free online collections of sheet music is available below. The list is accurate as of 23 January 2023
Format: Sheet music
Subject Headings:
Popular Music
Popular Songs of the Day – 19th Century
Songs with piano
Ballads
Society and Culture – Sentimental Song
Historical and Patriotic Music
Piano Music
Instrumental Music
Songs and Music
Collection Inventory:
Table of Contents of sheet music titles in order of appearance in the bound volume:
- Sword of Robert Lee: A Southern Ballad (Lynchburg, VA: Southern Musical Exchange,1867)
- The Rose-Bush (New York: G. Schirmer, 1859)
- Rock Me to Sleep Mother Ballad (Columbia, SC: Julian A. Selby,1862)
- Dear Mother I’ve Come Home to Die (Richmond, VA: George Dunn Co.; Columbia, SC: Julian A. Selby, no date)
- I See Her Still in My Dreams (Macon, GA: John C. Schreiner, no date)
- No Surrender (Richmond, VA: George Dunn Co.; Columbia, SC: Julian A. Selby, 1864)
- When This Cruel War is Over (Richmond, VA: George Dunn Co.; Columbia, SC: Julian A. Selby, no date)
- Let Me Kiss Him for his Mother (Macon, GA: John C. Schreiner, no date)
- Up with the Flag (Richmond, VA: George Dunn Co.; Columbia, SC: Julian A. Selby, 1863)
- No One to Love (Richmond, VA: George Dunn Co.; Columbia, SC: Julian A. Selby, no date)
- Why No One to Love? Answer to No One to Love Ballad (Richmond, VA: George Dunn Co.; Columbia, SC: Julian A. Selby, no date)
- Ah! I have Sigh’d to Rest Me! (Macon, GA: John C. Schreiner, no date)
- Lorena (Macon, GA: John C. Schreiner, no date)
- Who Will Care for Mother Now ((Richmond, VA: George Dunn Co., 1864)
- Gen’l Morgan’s Grand March (Richmond, VA: George Dunn Co.; Columbia, SC: Julian A. Selby,1864)
- Never Surrender Quick Step (Augusta, GA: Blackmar & Brother, 1863)
- Castles in the Air: A Scotch Song (Macon, GA: John C. Schreiner, 1863?)
- Ever of Thee, I’m Fondly Dreaming (Baltimore, MD: Miller & Beacham, no date)
- Joys that were Crowning (Boston, MA: Oliver Ditson, 1848)
- I’ll Pray for Thee (Boston, MA: Oliver Ditson, 1848)
- Handwritten text of “The Minstrel Returns from the War” (no date)
- Loose handwritten text of “Come Sit Awhile in Beside Me” (no date)
- Mary of the Glen (New York: William Hall & Son, 1852)
- Handwritten text of “I’ll tell you of a fellow…’
- Juanita Spanish Ballad (Baltimore, MD: Miller & Beacham, no date)
- Handwritten text of “Milligan Guards”
- Beautiful Isle of the Sea (New York: William A. Pond, 1865)
- Fairy Bells Ballad (Baltimore, MD: R.D. Benteen, no date)
- Handwritten text of “I Love Thee”
- I’ll Roam the Dewy Bowers (St. Louise, MO: Balmer & Weber, 1851)
- The Birds Will Come Again (New York: C.H. Ditson, 1867)
- I Dreamt that I Dwelt in Marble Halls (Baltimore, MD: R.D. Benteen, no date)
- Handwritten text of “I Would Like to Change My Name”
- Still in My Dreams Thou’rt Near (Baltimore, MD: Miller & Beacham, no date)
- Hear Me Norma (Baltimore, MD: R.D. Benteen, no date)
- What Are the Wild Waves Saying (Baltimore, MD: R.D. Benteen, no date)
- Where are Now the Hopes I Cherished (Baltimore, MD: Miller & Beacham, no date)
- Handwritten text of “Away from His House and the Friends of His Youth”
- On the Beach at Long Branch (New York: William A. Pond & Co.,1868)
- Sweet Spirit, Hear My Prayer (New York: William Hall & Son, 1860)
- Under the Daisies (New York: S.T. Gordon, 1865)
- Gaily Thro’ Life Wander (Baltimore, MD: Miller & Beacham, no date)
- Flee as a Bird (No place: No publisher, no date)
- Stars of the Summer Night (Nashville, TN: J. A. McClure, 1857)
- The Moon Rose O’er the Battle Plain (Philadelphia, PA: Lee & Walker, 1861)
- “I’ve No Mother” Now I’m Weeping (Baltimore, MD: Henry McCaffrey, no date)
- Say Where Shall We Roam? (Cincinnati, OH: W.C. Peters & Sons, no date)
- O Give Me a Home by the Sea (Boston, MA: G.P. Reed & Co., 1853)
- Handwritten text changing “Sea” to “Sound” on the title above; Handwritten text of “Down in the Valley” and the “Chorus: Sweet Evelina, Dear Evelina”
- Look Out Upon the Stars My Love (Baltimore, MD: R.D. Benteen, no date)
- Five O’Clock in the Morning (New York: S.T. Gordon, 1865)
- Come Home Father (Chicago, IL: Root & Cady, 1864)
- I’ve Been Roaming as sung at Jullien’s Concerts (Boston, MA: Oliver Ditson, no date)
- Lula’s Gone Song & Chorus (Boston, MA: E.H. Wade, 1853)
- In Dreams Thou’rt With Me Still!! ((Baltimore, MD: R.D. Benteen, [1869])
- Moonlight Dell as sung by Adele Hosmer (New York: H. Waters, 1852)
- The Angels Whisper, Songs of Superstitions of Ireland (Philadelphia, PA: G.E. Blake, no date)
- Handwritten text of “Eileen Alannah”
- Make Me No Gaudy Chaplet (Baltimore, MD: Frederick D. Benteen, no date)
- Handwritten text of a poem with chorus beginning “As I was walking with me [illegible] viewing of the [illegible] I met Miss Mary …”
- Mary of Argyle, an admired Scotch Song (Baltimore, MD: G. Willig, Jr., no date)
- Come Dearest the Daylight is Gone: An Admired Ballad (Baltimore, MD: Miller & Beacham, 1853)
- Over the Summer Sea, the Beautiful Barcarolle (Baltimore, MD: Miller & Beacham, no date)
- Handwritten text of a poem ending in “Unless we shall see such a wedding in town.”
- Alone! Alone! Ballad (Baltimore, MD: Wilm. C. Miller, 1866)
- Handwritten text of a poem “Gen. Lee’s Surrender”
- Say to Him (Air) (Boston, MA: C.H. Ditson, 1867)
- Where Art Thou? Song (New York: Wm. A. Pond & Co., 1866)
- A Mothers Welcome Smile Ballad sung by Adele Hosmer (New York: Horace Waters, 1852)
To minimize handling of this fragile volume, we identified Capehart Collection sheet music titles appearing in durable online collections matching publisher, date, and musical score when possible. We encourage researchers to use these digital resources.
Title | Words/Music/Arranged/Composed | Location | Publisher | Date | Notes about Durable Digital Version URL |
Ah, I have Sigh’d to Rest Me! (The Southern Musical Boquet of Favorite Songs and Ballads, No.6) | Music: Verdi; Arranged by Charles W. Glover; Words: Charles Jefferys | Macon, GA | John C. Schreiner | No Date | https://repository.duke.edu/dc/hasm/conf0089 |
Alone! Alone! Ballad | No composer given | Baltimore, MD | Wilm. C. Miller | 1866 | None found – gmc |
Angels Whisper (Songs of Superstitions of Ireland) | Samuel Lover | Philadelphia, PA | G E. Blake | No Date | Stanford University has a digital version of a manuscript of this sheet music at https://exhibits.stanford.edu/rare-music/catalog/ht932xp3078 |
Beautiful Isle of the Sea Song | Words: George Cooper; Music: J. R. Thomas | New York, NY | Wm. A Pond | 1865 | https://repository.duke.edu/dc/hasm/n1324 |
The Birds Will Come Again [as] sung by D.S. Wambold | Music: J.R. Thomas; Poetry: Geo. Cooper | New York, NY | C.H. Ditson | 1867 | https://imslp.org/wiki/The_Birds_Will_Come_Again_(Thomas%2C_John_Rogers) |
Castles in the Air (Southern Musical Boquet of Favorite Songs and Ballads, No. 7) | Words: J. Ballantine ; Music: Robert Adams | Macon, GA | John C Schreiner & Son | 1863? | https://repository.duke.edu/dc/hasm/conf0131 |
Come dearest the daylight is gone: An admired ballad | Composed and arranged [by] B.R. | Baltimore, MD | Miller & Beacham | 1853 | https://repository.duke.edu/dc/hasm/n1449 |
Come Home, Father | Words & Music: Henry Clay Work | Chicago, IL | Root & Cady | 1864 | https://repository.duke.edu/dc/hasm/b1012 |
Dear Mother I’ve come home to die | Music: Henry Tucker; Words: E. Bowers | Richmond, VA Columbia, SC | Geo. Dunn & Compy. Julian A. Selby | No Date | https://repository.duke.edu/dc/hasm/conf0155 |
Ever of Thee, I’m Fondly Dreaming | Music: Foley Hall; Words: George Linley | Baltimore, MD | Miller & Beacham | No Date | https://repository.duke.edu/dc/hasm/a2647 |
Fairy Bells Ballad | Music: Hon. Mrs. Norton | Baltimore, MD | F.D. Benteen | No Date | https://digitalcollections.libraries.ua.edu/digital/collection/p17336coll5/id/10426/ |
Five Oclock in the Morning (Songs of Mademoiselle Parepa) | Claribel | New York, NY | S.T. Gordon | 1865 | https://repository.duke.edu/dc/hasm/b1038 |
Flee as a Bird | No info | No info | No info | No Date | https://memory.loc.gov/diglib/ihas/loc.music.sm1857.610890/default.html |
Gaily thro’ life wander | Music: Verdi; Words: G. Linley | Baltimore, MD | Miller & Beacham | No Date | HathiTrust Digital Library has the same score, though with the English lyrics above the Italian lyrics, as published by Firth, Pond, & Co. (1857) https://hdl.handle.net/2027/mdp.39015096653111 |
Gen’l Morgan’s Grand March | C.L. Peticolas | Richmond, VA Columbia, SC | Geo. Dunn Julian Selby | 1864 | https://repository.duke.edu/dc/hasm/conf0197 |
Hear Me, Norma | Music: Bellini | Baltimore, MD | F.D. Benteen | No Date | https://digitalcommons.conncoll.edu/sheetmusic/929/ |
I Dreamt that I Dwelt in Marble Halls | M.W. Balfe | Baltimore, MD | F.D. Benteen | No Date | https://repository.duke.edu/dc/hasm/conf0224 |
I see her still in my dreams (Southern Musical Boquet of Favorite Songs and Ballads, No. 8) | Stephen C. Foster | Macon, GA | John C. Schreiner | No Date | https://repository.duke.edu/dc/hasm/conf0470 |
I’ll Pray for Thee (Spargi D’Amaro) | The Vocal Beauties of Lucia D Lammermoor with English & Italian Text translated by J.C.A. Smith; Adapted and Arranged by Edward L. White | Boston, MA | Oliver Ditson | 1848 | HathiTrust Digital Library has the score dated 1844 but the notation is identical to the sheet music in the Capehart volume. https://hdl.handle.net/2027/mdp.39015096400687 |
I’ll Roam the dewy bowers | Music C. Carl Haas | St. Louis, MO | Balmer & Weber | 1851 | https://hdl.handle.net/2027/mdp.39015096702728 |
In Dreams Thou’rt With Me Still Ballad | Lyrics: J.E. Carpenter; Music: Charles W. Glover | Baltimore, MD | F.D. Benteen | [1869] | https://hdl.handle.net/2027/mdp.39015093757618 |
I’ve Been Roaming as sung at Jullien’s Concerts | Lyrics: Anna Zerr; Music: Chas. E. Horn | Boston, MA | Oliver Ditson | No Date | HathiTrust Digital Library has a very similar score published by W.C. Peters & Sons of Cincinnati (1853 – 1860). https://hdl.handle.net/2027/mdp.39015088976314 |
I’ve No Mother now I’m weeping | T. Smith | Baltimore, MD | Henry McCaffrey | No Date | https://repository.duke.edu/dc/hasm/conf0039 |
Joys that were crowning (Vocal Beauties of Lucia di Lammermoor) | Edward White, adapter; J.C. A. Smith | Boston, MA | Oliver Ditson | 1848 | The Library of Congress has a digital version of this sheet music with the title page of “Alfin son tua” https://loc.gov/item/ihas.100003794 |
Juanita Spanish Ballad | Hon. Mrs. Norton | Baltimore, MD | Miller & Beacham | No Date | https://repository.duke.edu/dc/hasm/conf0241 |
Let Me Kiss him for his Mother (Southern Musical Boquet of Favorite Songs and Ballads, No.1) | John P. Ordway | Macon, GA | John C. Schreiner | No Date | https://repository.duke.edu/dc/hasm/conf0251 |
Look out Upon the Stars My Love Serenade | Lyrics: Written by a Gentleman of Balt.; Music: H.N. Gilles | Baltimore, MD | F.D. Benteen | No Date | HathiTrust Digital Library has a digital version of this sheet music for voice, guitar, and piano as published by John Cole of Baltimore, MD (1823) https://hdl.handle.net/2027/mdp.39015096434389 |
Lorena (Southern Musical Boquet of Favorite Songs and Ballads, No. 10) | Poetry: Rev. H.D.L Webster; Music By J.P. Webster | Macon, GA | John C. Schreiner | No Date | https://repository.duke.edu/dc/hasm/conf0256 |
Lula’s Gone Song & Chorus | Words & Music I.B. Woodbury | Boston, MA | E.H. Wade | 1853 | https://www.loc.gov/item/sm1853.530250/ |
Make Me No Gaudy Chaplet | Music: Donzetti; Arranged by W.H. Callcott | Baltimore, MD | Frederick D. Benteen | No Date | https://digitalcommons.conncoll.edu/sheetmusic/641/ |
Mary of Argyle, an admired Scotch Song | Music: S. Nelson | Baltimore, MD | G. Willig Jr. | No Date | HathiTrust Digital Library has a digital version of the sheet music published by Firth, Pond & Co. of New York (1856 – 1862) https://hdl.handle.net/2027/mdp.39015088985653 |
Mary of the Glen | Music: Geo. F. Root; Words: Charles G. Eastman | New York, NY | William Hall & Son | 1852 | https://imslp.org/wiki/Mary_of_the_glen_(Root%2C_George_Frederick) |
Moon rose o’er the Battle Plain (National & Patriotic Songs, No. 36) | William J. Lemon | Philadelphia, PA | Lee & Walker | 1861 | The David M. Rubenstein Rare Book & Manuscript Library has a digital version of the sheet music published by J. W. Davies & Son of Richmond, VA (1864) https://repository.duke.edu/dc/hasm/conf0168 |
Moonlight Dell as Sung by Adele Hosmer | Words: C. Chauncey Burr; Music: Jacob C. Hosmer | New York, NY | H. Waters | 1852 | None found – gmc |
A Mother’s Welcome Smile Ballad sung by Adele Hosmer | Words: A.E. Carpenter; Music: J. Hitton Jones | New York, NY | Horace Waters | 1852 | https://hdl.handle.net/2027/mdp.39015088977486 |
Never Surrender Quick Step | Edward O. Eaton | Augusta, GA | Blackmar & Brother | 1863 | https://repository.duke.edu/dc/hasm/conf0294 |
No One to Love Ballad | Words: A.H.C.R .; Music: W B Harvey | Richmond, VA Columbia, SC | Geo. Dunn, Julian A Selby | No Date | https://repository.duke.edu/dc/hasm/conf0298 |
No Surrender | Music: C C Mera | Richmond, VA Columbia, SC | Geo. Dunn, Julian A Selby | 1864 | https://repository.duke.edu/dc/hasm/conf0299 |
O give Me a Home by the Sea Ballad | Music & Lyrics by E. A. Hosmer | Boston, MA | G.P. Reed & Co. | 1853 | The David M. Rubenstein Rare Book & Manuscript Library has a digital version of the sheet music published by John C. Schreiner & Son of Macon, GA (1860s) https://repository.duke.edu/dc/hasm/conf0304 |
On the Beach at Long Branch | Music & Lyrics by William Lingard | New York, NY | Wm. A. Pond & Co. | 1868 | https://digitalcommons.conncoll.edu/sheetmusic/1154/ |
Over the Summer Sea, the Beautiful Barcarolle | Music: C. Verdi | Baltimore, MD | Miller & Beacham | No Date | The University of Wisconsin-Madison Libraries has a digital version of this sheet music published by Firth, Pond & Co. of New York (no date) https://search.library.wisc.edu/digital/AYRB3KH4ZBAFGL8L |
Rock Me to Sleep Mother Ballad | Music: John H. Hewitt; Lyrics: Florence Percy | Columbia, SC | Julian A. Selby | Nov. 1862 | https://repository.duke.edu/dc/hasm/conf0346 |
The Rose-Bush | Composed by Faustina Haase Hodges ; Words translated from the German by W. Caldwell | New York, NY | G. Schirmer | 1859 | None found – gmc |
Say to Him (Air) | Offenbach | Boston, MA | C.H. Ditson | 1867 | https://hdl.handle.net/2027/hvd.32044040667917?urlappend=%3Bseq=32%3Bownerid=27021597765361847-36 |
Say, Where Shall We Roam (Select Vocal Duetts by various authors) | Lyrics: J.E. Carpenter; Music: Stephen Glover | Cincinnati, OH | W.C. Peters & Sons | No Date | None found – gmc |
Stars of the Summer Night | Words: H.W. Longfellow; Music: Henry Weber | Nashville, TN | J.A. McClure | 1857 | https://repository.duke.edu/dc/hasm/a8576 |
Still in my dreams thou’ rt near | Words: Geo. Linley; Music: Foley Hall | Baltimore, MD | Miller & Beacham | No Date | https://levysheetmusic.mse.jhu.edu/collection/176/066 |
Sweet Spirit, Hear My Prayer | William Vincent Wallace | New York, NY | Wm. Hall & Son | 1860 | https://levysheetmusic.mse.jhu.edu/collection/131/126 |
Sword of Robert Lee | Music: C.C. de Nordendorf; Lyrics: Father Abram J. Ryan | Lynchburg, VA | Southern Musical Exchange | 1867 | The David M. Rubenstein Rare Book & Manuscript Library has a digital version of the sheet music published by George Willig & Co. of Baltimore, MD (1867) https://idn.duke.edu/ark:/87924/r45h7h67q |
Under the Daisies Ballad | Music: H. Millard | New York, NY | S. T. Gordon | 1865 | https://repository.duke.edu/dc/hasm/b2101 |
Up with the Flag | Composed and respectfully dedicated to the Fourth N.C. Troops by Dr. Wm B. Harrell; Arranged by Mrs. Harrell | Richmond, VA Columbia, SC | Geo. Dunn, Julian A Selby | 1863 | https://repository.duke.edu/dc/hasm/conf0415 |
What are the Wild Waves Saying (Boquet of the Beautiful Duets) | Stephen Glover | Baltimore, MD | F. D. Benteen | No Date | The University of South Carolina Digital Collections has a digital version of the sheet music as published by John C. Schreiner & Son of Macon, GA (1860s) https://digital.tcl.sc.edu/digital/collection/civilwar/id/4092 |
When this Cruel War is Over | Words: Charles C. Sawyer; Music: Henry Tucker | Richmond, VA Columbia, SC | Geo. Dunn, Julian A Selby | No Date | https://repository.duke.edu/dc/hoom/conf0441 |
Where are now the hopes I cherished | Words: Chas. Jeffreys; Music: Bellini | Baltimore, MD | Miller & Beacham | No Date | The David M. Rubenstein Rare Book & Manuscript Library has a digital version of the sheet music published by E. Crehen of Richmond, VA (no date) https://repository.duke.edu/dc/hasm/conf0473 |
Where Art Thou? Song | J.R. Thomas | New York, NY | Wm. A Pond & Co. | 1866 | https://hdl.handle.net/2027/mdp.39015096691335 |
Who Will Care for Mother Now Ballad | Music: C.F. Thompson; Poetry: C.C. Sawyer | Richmond, VA | Geo. Dunn & Compy | 1864 | https://repository.duke.edu/dc/hasm/conf0445 |
Why No One to Love? Answer to No one to love ballad | Stephen C. Foster | Richmond, VA Columbia, SC | Geo. Dunn, Julian A Selby | No Date | https://repository.duke.edu/dc/hasm/conf0447 |
Volume: 1 bound volume of 57 piano sheet music scores, some with manuscript lyrics and poems ; 13 inches X 10 inches
Processed: Grace Morris Cordial, MLS, SL, CA, 23 January 2023
Provenance: Susan M. Hardy, 1911-2008 (Mrs. John W. Hardy), a descendant of Sue M. Capehart, donated her ancestor’s collection to the Beaufort County Library on 17 October 2003.
Citation Form: Capehart Piano Sheet Music Collection, Beaufort District Collection, Beaufort County Library, SC
Copyright: Copyright undetermined.
Note: The Beaufort District Collection (BDC) exists to acquire, preserve, maintain and make accessible a research collection of permanent value which records the history, culture, and environment of the South Carolina lowcountry wedged between the Combahee (pronounced “Kum’ bee”) and Savannah Rivers. BDC staff and docents are stewards who collect, protect and share unique historical materials about local history, Gullah culture, natural southeastern coastal environment, family history and archaeology of the area now covered by Beaufort County, Hampton County and Jasper counties in South Carolina.
Contact the Beaufort District Collection at 843-255-6446 or e-mail bdc@bcgov.net for additional information about local history and archives relating to the people, places, and themes of the history, culture, and natural environment of Beaufort County, Jasper County and Hampton County, South Carolina.
Current hours of operation are listed on the Beaufort County Library website.